Today we’re taking a look at an early work by one of the best artists currently working in comics! This post was originally published on 12 November 2013. As always, you can click on the images to see them better. Small Gods by Jason Rand (writer), Juan Ferreyra (artist/toner), Eduardo Ferreyra (gray tones, issues #2-10), and Jim Keplinger (letterer). Back-up stories: “Outside the Box” (issues #1-4) by Rand (writer), Mahmud Asrar (artist), and Keplinger (letterer) “The Report” (issue #5) by Rand (writer), Jean-Paul Mavinga (artist), and Keplinger (letterer) “Snapshots” (issues #6-9) by Rand (writer), Aadi Salman (artist, issues #6, 8-9), Ferreyra (artist, issue #7), and Keplinger (letterer) “Touching Fate” (issues #10-12) by Keplinger (writer/letterer), Lucius Romero (artist, issue #10), and Scott Story (artist, issues #11-12).
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Published by Image, 13 issues (issues #1-12 plus a Special, which came out after issue #9 but takes place after issue #12), cover dated June 2004 – November 2005. I don’t think there are any major SPOILERS, but as always, proceed at your own risk! 2 gay men kissing meme plus# Small Gods is Jason Rand’s first published work, and he did two things right: His idea, that various powers based on the brain – precognition, telepathy, telekinesis, and the like – exist in the “real world” and regular, non-superhero people would possess them, is a good one and he got Juan Ferreyra to draw the book.
I’ll get to the second thing, but the first is all Rand. In the first issue, we get an info-dump about the way the world is, and our hero (at least for the first arc), Owen Young, explains what has happened, going back to a 1991 report determining that psychic talents were real: The idea that people would possess these powers but there would be no superheroes isn’t new, but Rand, like a lot of other writers who do this kind of thing and unlike a lot of superhero writers, actually thinks about the real-world applications of powers like these. He also provided a direct example of the result of one of these excruciating exchanges, posting a three-second clip of a character saying "There one was a man from Kentucky." According to Hirsch, this fifth of a limerick required a back-and-forth that resulted in him asking to speak to someone in person.That’s led a number of scientists to theorise that psychic abilities are innate latent in many, if not all of us. "I have literally thousands of these," Hirsch tweeted. According to the clip, Disney requested Hirsch make numerous changes to Gravity Falls' scripts due to concerns about everything from ostensibly profane language ("poopface"), roundabout references to kissing ("bottles will be spun"), and even characters talking about dressing up as giant teddy bears ("It may call to mind the people who dress up as stuffed animals as a 'furry' fetish"). In an almost five-minute video displaying stark white text on a black screen, Hirsch and voice actor Eric Bauza performed dramatic readings of real emails he'd received from Disney, as well as his increasingly incredulous responses. "I probably shouldn't share this buttttt here are some REAL NOTES from DISNEY S&P and my REAL REPLIES. "Ever curious about the fights I had with the censors on Gravity Falls?" wrote Hirsch.
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To mark the occasion, series creator Alex Hirsch took to Twitter to share some tidbits from behind the scenes, such as art director Ian Worrel's first take on the Mystery Shack, storyboards from artist Alonso Ramirez Ramos - and the ridiculous email exchanges he had with Disney's Standards and Practices team (S&P).
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It's been 10 years since cult favourite series Gravity Falls premiered, introducing viewers to twins Dipper and Mabel Pines, their Grunkle Stan, and the titular town full of spooky phenomena.